Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky made "Ballet Suite No. 1 (arr. L. Atovmyan): Waltz-scherzo (The Bolt)" available on October 6, 2004. The duration of Ballet Suite No. 1 (arr. L. Atovmyan): Waltz-scherzo (The Bolt) is about 3 minutes long, at 3:05. Based on our data, "Ballet Suite No. 1 (arr. L. Atovmyan): Waltz-scherzo (The Bolt)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "Shostakovich: Ballet Suites Nos. 1-4". In this album, this song's track order is #5. The popularity of Ballet Suite No. 1 (arr. L. Atovmyan): Waltz-scherzo (The Bolt) is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ballet Suite No. 1 (arr. L. Atovmyan): Waltz-scherzo (The Bolt) by Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky having a テンポ of 184 with a half-time of 92 テンポ and a double-time of 368 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rond De Jambe a Terre (Once Upon a December) | Christopher N Hobson | B Minor | 1 | 10A | 117 BPM | ||
Swan lake Dance of the Little Swans | SC-Mirai | B Minor | 1 | 10A | 104 BPM | ||
Act III: Variation II La fee Argent | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A♭ Major | 1 | 4B | 115 BPM | ||
European Union Hymn Of Europe, "Come, Sing A Song Of Joy For Peace…" | Slovak Radio Symphony Orchestra, Peter Breiner, Various Artists | D Major | 2 | 10B | 61 BPM | ||
Swan Lake, Ballet suite, Op.20: Dance of the swans | Belgrad Philharmonic Orchestra, Igor Markevitch | F♯ Major | 0 | 2B | 95 BPM | ||
Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 6, Thème slave varié (Allegretto non troppo - Variations Nos. 1-4 - Allegro non troppo) | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | A Major | 2 | 11B | 136 BPM | ||
Die Puppenfee (The Fairy Doll): No. 7 Baby: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 97 BPM | ||
Giselle: Act I: Allegro un peu loure | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 169 BPM | ||
La Bayadere, Act II: 29. "Pas D'action" | Evergreen Symphony Orchestra, Kevin Galiè | G Major | 1 | 9B | 77 BPM | ||
The Nose, Act I: Galop | Dmitri Shostakovich, Valery Gergiev, Mariinsky Orchestra | F Major | 3 | 7B | 70 BPM |