Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia's 'Die Puppenfee (The Fairy Doll): No. 7 Baby: Allegretto' came out on June 7, 2004. The duration of Die Puppenfee (The Fairy Doll): No. 7 Baby: Allegretto is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Die Puppenfee (The Fairy Doll): No. 7 Baby: Allegretto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 35 in Bayer: Fairy Doll (The) (Complete Ballet) by Josef Bayer. In terms of popularity, Die Puppenfee (The Fairy Doll): No. 7 Baby: Allegretto is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Die Puppenfee (The Fairy Doll): No. 7 Baby: Allegretto by Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Andante (at a walking pace), since this song has a tempo of 97 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alice in Wonderland: Act II: The Queen of Hearts | Carl Davis, Prague City Philharmonic Orchestra | B♭ Major | 1 | 6B | 144 BPM | ||
Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Pelleas et Melisande - Fileuse: Andantino quasi Allegretto | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | G Major | 0 | 9B | 142 BPM | ||
Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 0 | 3B | 60 BPM | ||
My Robin Is To The Greenwood Gone | Percy Grainger, Slovak Radio Symphony Orchestra | A Minor | 0 | 8A | 91 BPM | ||
Act II. Waltz, Odetta's variations, the Dance of the small swans | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A Major | 0 | 11B | 181 BPM | ||
Othello Suite: Venice (Nocturne) | Aram Khachaturian, Viktor Simcisko, Jana Valášková, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Adriano | E Minor | 0 | 9A | 83 BPM | ||
Coppelia: Act III - Danse de fete | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 72 BPM | ||
Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | A Minor | 0 | 8A | 81 BPM | ||
Act II: Variation Of Cupid (Minkus) | Mariinsky Orchestra | D Major | 2 | 10B | 132 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 2, Dance du coq et des poules | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 4 | 10B | 164 BPM |