"Giselle: Act I: Allegro un peu loure" by Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia was released on November 3, 1994. The duration of Giselle: Act I: Allegro un peu loure is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Giselle: Act I: Allegro un peu loure's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 35 in Adam: Giselle (Complete Ballet) by Adolphe Adam. The popularity of Giselle: Act I: Allegro un peu loure is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Giselle: Act I: Allegro un peu loure by Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Vivace (lively and fast), since this song has a tempo of 169 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Nabucco: Va, pensiero, "Chorus of Hebrew Slaves" | Giuseppe Verdi, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | D♭ Major | 0 | 3B | 71 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Die Puppenfee (The Fairy Doll): No. 8 Chinesin: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 92 BPM | ||
Mephistos Höllenrufe, Walzer, Op. 101 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | E♭ Major | 2 | 5B | 99 BPM | ||
Le Cid / Act 2: Aragonaise | Jules Massenet, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 78 BPM | ||
Raymonda, Act I: Variation 3 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | G Major | 1 | 9B | 82 BPM | ||
Adam & Drigo: Le Corsaire: Pas-de-deux - No. 4, Coda (Allegro moderato) | Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | E♭ Major | 5 | 5B | 83 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM |