Kurt Weill, Robyn Archer/London Sinfonietta/Dominic Muldowney/John Constable, Dominic Muldowney, London Sinfonietta's 'The Threepenny Opera (in English) (1981 Digital Remaster): Solomon Song (with harmonium)' had a release date set for September 7, 2009. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. The Threepenny Opera (in English) (1981 Digital Remaster): Solomon Song (with harmonium)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Symphony No.2, Seven Deadly Sins etc. by Kurt Weill, Various Artists. The song's track number on the album is #16 out of 38 tracks. Based on our statistics, The Threepenny Opera (in English) (1981 Digital Remaster): Solomon Song (with harmonium)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since The Threepenny Opera (in English) (1981 Digital Remaster): Solomon Song (with harmonium) by Kurt Weill, Robyn Archer/London Sinfonietta/Dominic Muldowney/John Constable, Dominic Muldowney, London Sinfonietta has a tempo of 151 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Threepenny Opera (in English) (1981 Digital Remaster): Solomon Song (with harmonium) being at 151 テンポ, the half-time would be 76 テンポ with a double-time of 302 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Doucet: Chopinata. Fantaisie musicale dans un rythme de fox sur des motifs de Chopin | Clément Doucet, Alexandre Tharaud | D♭ Minor | 1 | 12A | 106 BPM | ||
Les indes galantes / Nouvelle Entrée: Les Sauvages Scène 6: Danse du Grand Calumet de la Paix (Rondeau) - Forêts paisibles | Jean-Philippe Rameau, Patricia Petibon, Kevin Greenlaw, La Cetra Barockorchester Basel, Andrea Marcon, La Cetra Vocalensemble Basel | F♯ Minor | 3 | 11A | 87 BPM | ||
Ciganské melodie (Gypsy Melodies), Op. 55: 4. Songs my mother taught me (Kdyz mne stara matka) | Antonín Dvořák, Magdalena Kozená, Malcolm Martineau | G Minor | 4 | 6A | 160 BPM | ||
Der Freischütz, J. 277 / Act III: "Und ob die Wolke sie verhülle" | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 1 | 4B | 84 BPM | ||
Le Bœuf sur le toit, Op. 58 | Darius Milhaud, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | F Major | 2 | 7B | 106 BPM | ||
Scaramouche, Op. 165: III. Brazileira | Darius Milhaud, Ludmila Peterková, Irina Kondratenko | C Major | 2 | 8B | 175 BPM | ||
Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM | ||
Simple Symphony, Op. 4: "Playful Pizzicato" from Simple Symphony, Op. 4 | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: II. Polka | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | C Major | 1 | 8B | 131 BPM | ||
Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D♭ Major | 2 | 3B | 73 BPM |