"Tannhäuser · Romantische Oper in 3 Akten (Dresdner Fassung), Dritter Akt (Tal vor der Wartburg): Wie Todesahnung - Oh du mein holder Abendstern (Wolfram)" by Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny was released on 2004. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 100 Best Opera Classics, so we believe that "Tannhäuser · Romantische Oper in 3 Akten (Dresdner Fassung), Dritter Akt (Tal vor der Wartburg): Wie Todesahnung - Oh du mein holder Abendstern (Wolfram)" is a single. Tannhäuser · Romantische Oper in 3 Akten (Dresdner Fassung), Dritter Akt (Tal vor der Wartburg): Wie Todesahnung - Oh du mein holder Abendstern (Wolfram) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tannhäuser · Romantische Oper in 3 Akten (Dresdner Fassung), Dritter Akt (Tal vor der Wartburg): Wie Todesahnung - Oh du mein holder Abendstern (Wolfram) by Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Wanderer, Op. 4 No. 1, D. 493: Ich komme vom Gebirge her | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E Major | 0 | 12B | 78 BPM | ||
4 Lieder, Op. 27: 1. Ruhe, meine Seele! | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | D Minor | 0 | 7A | 90 BPM | ||
Mi lagnero tacendo, K. 437 | Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Bläser der Berliner Philharmoniker | A♭ Major | 2 | 4B | 109 BPM | ||
6 Lieder, Op. 1: No. 1. Schwanenlied | Fanny Mendelssohn, Dorothea Craxton, Babette Dorn | G Minor | 0 | 6A | 131 BPM | ||
Lieder und Gesänge aus der Jugendzeit: No. 11, Ablösung im Sommer | Gustav Mahler, Dietrich Fischer-Dieskau, Karl Engel | F Major | 1 | 7B | 129 BPM | ||
La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
Die Zauberflöte, K. 620 / Erster Aufzug: "Hm, hm, hm" | Wolfgang Amadeus Mozart, Dietrich Fischer-Dieskau, Fritz Wunderlich, Hildegard Hillebrecht, Cvetka Ahlin, Sieglinde Wagner, Berliner Philharmoniker, Karl Böhm | C Minor | 1 | 5A | 61 BPM | ||
Elias, Op. 70, MWV A25, Part I: Introduction "So wahr der Herr, der Gott Israels, lebet" (Elijah) | Felix Mendelssohn, Petteri Salomaa, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
Mozart: "Ridente la calma", K. 152 | Josef Mysliveček, Wolfgang Amadeus Mozart, Barbara Bonney | G Major | 3 | 9B | 143 BPM | ||
Symphony No.3 - "Liturgique": 1. "Dies Irae" - Allegro marcato | Arthur Honegger, Berliner Philharmoniker, Herbert von Karajan | C Major | 6 | 8B | 143 BPM |