Edward Elgar, David Parry, London Philharmonic Orchestra's 'Pomp and Circumstance, Op. 39: March No. 1 in D Major' came out on October 9, 2021. Pomp and Circumstance, Op. 39: March No. 1 in D Major is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. There are a total of 101 in the song's album "Study 101". In this album, this song's track order is #46. Based on our statistics, Pomp and Circumstance, Op. 39: March No. 1 in D Major's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pomp and Circumstance, Op. 39: March No. 1 in D Major by Edward Elgar, David Parry, London Philharmonic Orchestra having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Simon Trpčeski, Vasily Petrenko | E Major | 0 | 12B | 67 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 4 in G Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 77 BPM | ||
Linda di Chamounix, A. 62: Sinfonia | Gaetano Donizetti, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: IV. Var. III. Andantino Tranquillo | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | E Major | 1 | 12B | 86 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM |