Edward Elgar, New Zealand Symphony Orchestra, James Judd's '5 Military Marches, Op. 39, "Pomp and Circumstance": No. 4 in G Major' came out on March 1, 2005. With this song being about 5 minutes long, at 5:13, "5 Military Marches, Op. 39, "Pomp and Circumstance": No. 4 in G Major" by Edward Elgar, New Zealand Symphony Orchestra, James Judd is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 11 in Elgar: Marches by Edward Elgar. 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 4 in G Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 4 in G Major by Edward Elgar, New Zealand Symphony Orchestra, James Judd is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Sophia Perovskaya", Op.132 - music from the film: Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D♭ Major | 0 | 3B | 172 BPM | ||
Serenade for Strings: I. Barcarolle | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B Minor | 1 | 10A | 80 BPM | ||
Gold And Silver Waltz (Gold und Silber/L'or et l'argent) | Franz Lehár, Strauss Festival Orchestra, Peter Guth | C Major | 2 | 8B | 175 BPM | ||
Ombra mai fu (Handel's Largo) | George Frideric Handel, London Symphony Orchestra, Philip Gibson | E♭ Major | 1 | 5B | 95 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Sehr langsam) | Gustav Mahler, Sir John Barbirolli, New Philharmonia Orchestra | F Major | 0 | 7B | 87 BPM | ||
Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
Madama Butterfly / Act 2: "Coro a bocca chiusa" (Humming Chorus) | Giacomo Puccini, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | G Major | 2 | 9B | 139 BPM | ||
Water Music Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 2 | 10B | 120 BPM | ||
Massenet: Thaïs, Act 2 Tableau 2: Méditation. Andante religioso (Arr. for Violin and Instrumental Ensemble by Mikhail Parhamovsky) | Jules Massenet, Maxim Vengerov, Vag Papian, Virtuosi, Mikhail Parhamovsky | D Major | 1 | 10B | 95 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII - Andante cantabile (Arr. By Stephen Buck) | Sergei Rachmaninoff, Daniel Röhn, Württembergisches Kammerorchester Heilbronn, Case Scaglione | D♭ Major | 2 | 3B | 84 BPM |