"Serenade for Strings: I. Barcarolle" by William Lloyd Webber, Richard Hickox, City of London Sinfonia was released on May 1, 1998. The duration of Serenade for Strings: I. Barcarolle is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Serenade for Strings: I. Barcarolle's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Webber: Invocation by William Lloyd Webber, Richard Hickox, City of London Sinfonia, Julian Lloyd Webber, Tasmin Little, Westminster Singers. The song's track number on the album is #1 out of 18 tracks. Serenade for Strings: I. Barcarolle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Serenade for Strings: I. Barcarolle by William Lloyd Webber, Richard Hickox, City of London Sinfonia has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Serenade for Strings: I. Barcarolle being at 80 テンポ, the half-time would be 40 テンポ with a double-time of 160 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Running Set | Ralph Vaughan Williams, Northern Sinfonia of England/Bradley Creswick/Richard Hickox, Richard Hickox, Northern Sinfonia Of England | E Minor | 3 | 9A | 79 BPM | ||
Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM | ||
Carmina Burana: XV. Amor volat undique | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | E Minor | 0 | 9A | 83 BPM | ||
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
Suite: O, Waly Waly | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 95 BPM | ||
Die Donner-Ode, TWV 6:3, Part I: Die Donner-Ode, TWV 6:3, Part I: VII. Duet. Er donnert, daß er verherrlichet werde (Bass I & II) | Georg Philipp Telemann, Richard Hickox, Collegium Musicum 90, Stephen Roberts, Michael George | D♭ Major | 2 | 3B | 99 BPM | ||
The Forest | City of London Sinfonia, Stuart Hancock | B♭ Minor | 1 | 3A | 83 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): I. Introduzione | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | B Major | 1 | 1B | 124 BPM |