"Carmina Burana: XV. Amor volat undique" by Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox was released on January 1, 2005. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #15. Carmina Burana: XV. Amor volat undique is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: XV. Amor volat undique by Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Images for Orchestra, L. 122 / 2. Ibéria: II. Les parfums de la nuit | Claude Debussy, London Symphony Orchestra, Claudio Abbado | F♯ Major | 0 | 2B | 83 BPM | ||
Carmen, WD 31 / Act I: Introduction: "Sur la place chacun passe" | Georges Bizet, Stuart Harling, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy | E Major | 0 | 12B | 79 BPM | ||
Candide / Act I: 11. The Paris Waltz | Leonard Bernstein, London Symphony Orchestra | E♭ Major | 1 | 5B | 78 BPM | ||
War Requiem, Op. 66: xvi. Offertorium - Sed signifer Sanctus | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | G Major | 2 | 9B | 103 BPM | ||
Carmen, Act III, No.20 Trio: Mêlons! Coupons! (Frasquita/Mercédès) | Georges Bizet, Elisabeth Vidal, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Major | 1 | 7B | 120 BPM | ||
Orff: Carmina Burana, Pt. 1, Primo vere: Omnia sol temperat | Carl Orff, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 83 BPM | ||
Bizet: Carmen: Pres des remparts de Seville: Seguidilla - Act One | Georges Bizet, Shirley Verrett, Plácido Domingo | B Minor | 2 | 10A | 78 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": XII. B.G.N. (Basil G. Nevinson). Andante | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 117 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: No. 5a, Air et Choeur, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 101 BPM | ||
Mascagni: L'amico Fritz, Act 3 Scene 3: "O amore, o bella luce del core" (Fritz) | Pietro Mascagni, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | F♯ Major | 2 | 2B | 93 BPM |