Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov made "Don Quixote: Act III: Basilio's Variation" available on February 24, 2004. With Don Quixote: Act III: Basilio's Variation being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Ludwig Minkus, Nayden Todorov's "Minkus: Don Quixote" album is number 26 out of 59. On top of that, Hong Kong appears to be the country where this track was created. Don Quixote: Act III: Basilio's Variation is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Don Quixote: Act III: Basilio's Variation by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gadfly Suite, Op. 97a: VI. Galop | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 168 BPM | ||
Concerto for Violin 'in tromba marina', Strings & Continuo in D Major, RV. 221: I. Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | D Major | 3 | 10B | 111 BPM | ||
Giselle: Act II: Andante: Men's Variation | Adolphe Adam, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 2 | 5B | 84 BPM | ||
Les Patineurs Valse (The Skater's Waltz), Op. 183 | London Philharmonic Orchestra | A Major | 1 | 11B | 105 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation III. Miettes qui tombent (Fairy of the Woodland Glade) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | D Major | 0 | 10B | 66 BPM | ||
Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Final: Allegretto vivo | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | B♭ Major | 1 | 6B | 145 BPM | ||
Swan Lake, Op. 20, Act III: "Variazione del principe" | Silvano Belfiore | F♯ Minor | 3 | 11A | 130 BPM | ||
Don Quixote: Act III: Classical Variation I | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | F Major | 0 | 7B | 150 BPM | ||
Mendelssohn: Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello (Presto) | Felix Mendelssohn, Christian Thielemann, Munich Philharmonic Orchestra | G Major | 2 | 9B | 74 BPM |