"Don Quixote: Act III: Classical Variation I" by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov was released on February 24, 2004. The duration of Don Quixote: Act III: Classical Variation I is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Don Quixote: Act III: Classical Variation I's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ludwig Minkus, Nayden Todorov's "Minkus: Don Quixote" album is number 21 out of 59. Based on our statistics, Don Quixote: Act III: Classical Variation I's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Quixote: Act III: Classical Variation I by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov to be Allegro (fast, quick, and bright) because the track has a tempo of 150 テンポ, a half-time of 75テンポ, and a double-time of 300 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 6, Coda | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | E♭ Major | 2 | 5B | 95 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | D Minor | 3 | 7A | 107 BPM | ||
Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | ||
Act I: Variation Of Basil & Friends (Minkus) | Mariinsky Orchestra | D Major | 4 | 10B | 149 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): And after them Grandfather, complaining, and the Cat | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 112 BPM | ||
Symphony No. 9 in E Minor, From The New World: Symphony No. 9 "New World Symphony": III. Scherzo - Molto vivace | Antonín Dvořák, Budapest Philharmonic Orchestra, Rico Saccani | C Major | 1 | 8B | 132 BPM | ||
Carmen, Opera Suite No. 2: VI. Danse Bohème (Act 2) | London Festival Orchestra Alfred Scholz | A Minor | 1 | 8A | 128 BPM | ||
Le Corsaire: Act II - "4. Grand Pas: Variation: Ali" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 1 | 4B | 121 BPM | ||
Raymonda, Act II: Variation 3 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | A Major | 2 | 11B | 72 BPM |