"Prelude in D Minor" by Silvius Leopold Weiss, Jakob Lindberg was released on March 1, 2006. With Prelude in D Minor being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weiss, S.L.: Lute Music, Vol. 1 - Lute Sonatas Nos. 4, 7, 29 / Preludes by Silvius Leopold Weiss, Jakob Lindberg. The song's track number on the album is #15 out of 22 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Prelude in D Minor is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Prelude in D Minor by Silvius Leopold Weiss, Jakob Lindberg has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Prelude in D Minor being at 94 テンポ, the half-time would be 47 テンポ with a double-time of 188 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor: III. L'adieu | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Canario | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 96 BPM | ||
Sonata for Strings No. 8 in C Major, Op. 3: III. Largo | Arcangelo Corelli, Purcell Quartet, Jakob Lindberg | G Minor | 0 | 6A | 71 BPM | ||
Fantasia que contrahaze la harpa en la manera de Ludovico | Alonso Mudarra, José Miguel Moreno | E Major | 1 | 12B | 166 BPM | ||
Suite I: Gaillarde | Claude Gervaise, Christian Mendoze | B♭ Major | 2 | 6B | 116 BPM | ||
Se la face ay pale | Guillaume Dufay, Ciaramella | E♭ Major | 1 | 5B | 120 BPM | ||
12 Trio Sonatas, Op. 1 No. 8 in C Major: IV. Vivace | Arcangelo Corelli, Purcell Quartet, Jakob Lindberg | B♭ Minor | 2 | 3A | 80 BPM | ||
Ricercar ottava | Vincenzo Capirola, Doulce Mémoire, Denis Raisin-Dadre | G Major | 1 | 9B | 82 BPM | ||
5e livre de viole: Dialogue (Légèrement) | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | B Minor | 2 | 10A | 181 BPM | ||
Gigue de Angelis de Rome | Angelo Michele Bartolotti, Bernhard Hofstötter | D♭ Minor | 2 | 12A | 158 BPM |