"12 Trio Sonatas, Op. 1 No. 8 in C Major: IV. Vivace" by Arcangelo Corelli, Purcell Quartet, Jakob Lindberg was released on July 1, 1991. With 12 Trio Sonatas, Op. 1 No. 8 in C Major: IV. Vivace being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 42 in Corelli: 12 Trio Sonatas, Op. 1 & 12 Trio Sonatas, Op. 2 by Arcangelo Corelli, Purcell Quartet, Jakob Lindberg. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 12 Trio Sonatas, Op. 1 No. 8 in C Major: IV. Vivace is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 12 Trio Sonatas, Op. 1 No. 8 in C Major: IV. Vivace by Arcangelo Corelli, Purcell Quartet, Jakob Lindberg is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Sonate A Violino E Violoncello O Cimbalo Opus V, Sonate 4 In F Major: Adagio | Jaap Ter Linden, Rémy Baudet, Pieter-Jan Belder, Arcangelo Corelli, Mike Fentross | C Minor | 2 | 5A | 81 BPM | ||
Concerto In D Major For 2 Violins, Strings & Continuo, RV 511: 2. Largo | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | E Minor | 0 | 9A | 75 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Concerto grosso in D, Op.6, No.1 - Rev. Vittorio Negri (1923- ): 1 Largo - Allegro | Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Guy Bovet, I Musici | D Major | 2 | 10B | 144 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM |