Luca Marenzio, James Grossmith, Claritas's 'O rex gloriae' came out on January 1, 1999. The duration of O rex gloriae is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. O rex gloriae's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Luca Marenzio, James Grossmith, Claritas's "Luca Marenzio, Missa Super Iniquos odio habui & motets" album is number 10 out of 17. On top of that, France appears to be the country where this track was created. O rex gloriae is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O rex gloriae by Luca Marenzio, James Grossmith, Claritas to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM | ||
Laudate Pueri: I. Laudate Pueri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
ll est bel et bon, commere, mon mary: Il est bel et bon | Pierre Passereau, Scholars of London | C Minor | 3 | 5A | 135 BPM | ||
La Favolla d'Apollo: 17. O mille volte a 8 "La Pellegrina" | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | G Major | 4 | 9B | 92 BPM | ||
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares | John Dowland, Fretwork | F Minor | 0 | 4A | 101 BPM | ||
Missa Tempore Quadragesimae, MH 553: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 1 | 11B | 128 BPM | ||
Tenebrae Responsories for Maundy Thursday: In monte Oliveti: a. Respond. In monte Oliveti | Carlo Gesualdo, Owain Park, The Gesualdo Six | B Major | 1 | 1B | 81 BPM |