"Tenebrae Responsories for Maundy Thursday: In monte Oliveti: a. Respond. In monte Oliveti" by Carlo Gesualdo, Owain Park, The Gesualdo Six was released on March 4, 2022. With Tenebrae Responsories for Maundy Thursday: In monte Oliveti: a. Respond. In monte Oliveti being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in The Gesualdo Six, Thomas Tallis, Owain Park, Judith Bingham, Carlo Gesualdo, Joanna Ward's "Gesualdo: Tenebrae Responsories for Maundy Thursday; Tallis: Lamentations" album is number 16 out of 58. On top of that, United Kingdom appears to be the country where this track was created. Tenebrae Responsories for Maundy Thursday: In monte Oliveti: a. Respond. In monte Oliveti is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tenebrae Responsories for Maundy Thursday: In monte Oliveti: a. Respond. In monte Oliveti by Carlo Gesualdo, Owain Park, The Gesualdo Six to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quis numerare queat: II. Audivit ipse | Loyset Compère, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Concerto Ad ubera portabimini | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Taverner: Leroy Kyrie | John Taverner, Peter Phillips, The Tallis Scholars | D♭ Major | 1 | 3B | 74 BPM | ||
Befiehl dem Engel, daß er komm, BuxWV 10 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux | A Major | 1 | 11B | 88 BPM | ||
Pavan | Orlando Gibbons, The Rose Consort Of Viols | F♯ Major | 1 | 2B | 79 BPM | ||
M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares | John Dowland, Fretwork | F Minor | 0 | 4A | 101 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM | ||
Baci soavi, e cari: II. Quant'ha di dolce Amore | Carlo Gesualdo, Les Arts Florissants, Paul Agnew | E Minor | 1 | 9A | 92 BPM | ||
Musikalische Exequien, Op. 7, SWV 279-281: II. Motette "Herr, wenn ich nur Dich habe" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | A Minor | 1 | 8A | 62 BPM | ||
The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM |