Conradin Kreutzer, Sarah Wegener, Hofkapelle Stuttgart, Frieder Bernius's 'Der Taucher: Arie der Alphonsine - Die Sonne steigt empor' had a release date set for June 7, 2024. This song is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The song is number 3 out of 12 in Conradin Kreutzer: Der Taucher by Conradin Kreutzer, Sarah Wegener, Philipp Mathmann, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Der Taucher: Arie der Alphonsine - Die Sonne steigt empor is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der Taucher: Arie der Alphonsine - Die Sonne steigt empor by Conradin Kreutzer, Sarah Wegener, Hofkapelle Stuttgart, Frieder Bernius is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Das Veilchen, K. 476 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VII. La Mort de Melisande - Andante molto, quasi adagio | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | D♭ Minor | 1 | 12A | 88 BPM | ||
4 Poèmes d'Edmond Haraucourt, Op. 7: No. 4, Aux temps des fées | Charles Koechlin, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
4 Entr'actes, Op. 17: No. 3, Andantino | Norbert Burgmuller, Hofkapelle Stuttgart, Frieder Bernius | E Minor | 0 | 9A | 131 BPM | ||
Fausto, Act II: Cavatina. Palpita nel seno gelido il cor | Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM | ||
Das Nachtlager in Granada: Act I Scene 8: Pastorale: Vom Berg ziehn wir hernieder (Chorus of Shepherds, A Huntsman) | Conradin Kreutzer, Hermann Prey, Regina Klepper, Michael Pabst, Wolf Matthias Friedrich, Cornelius Hauptmann, Martin Blasius, Cologne Radio Chorus, Cologne Radio Orchestra, Helmut Froschauer | E♭ Major | 1 | 5B | 71 BPM | ||
Symphony No. 6 in F Major, Op. 132: IV. Finale. Molto vivace | Johann Wenzel Kalliwoda, Hofkapelle Stuttgart, Frieder Bernius | F Major | 1 | 7B | 129 BPM | ||
Der Stein der Weisen, Act I: Aria. So ein schönes Weibchen | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Jane Giering-De Haan | E♭ Major | 2 | 5B | 77 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
Die Zauberflöte, K. 620 / Act 1: "Es lebe Sarastro! Sarastro lebe!" | Wolfgang Amadeus Mozart, Rolando Villazón, Franz-Josef Selig, Christiane Karg, RIAS Kammerchor, Justin Doyle, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F♯ Major | 3 | 2B | 168 BPM |