"Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VII. La Mort de Melisande - Andante molto, quasi adagio" by Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger was released on May 1, 2012. With this song being about 5 minutes long, at 4:42, "Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VII. La Mort de Melisande - Andante molto, quasi adagio" by Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Charles Koechlin, Heinz Holliger's "Magicien orchestrateur" album is number 9 out of 14. On top of that, Germany appears to be the country where this track was created. Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VII. La Mort de Melisande - Andante molto, quasi adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VII. La Mort de Melisande - Andante molto, quasi adagio by Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Roi s'amuse: Incidental Music - Ballet Music (2002 Digital Remaster): IV. Lesquercarde | Sir Thomas Beecham, Royal Philharmonic Orchestra | B Major | 5 | 1B | 137 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: III. Of the Great Longing | Richard Strauss, Wolfgang Sawallisch, Michael Stairs, Philadelphia Orchestra | D Major | 0 | 10B | 65 BPM | ||
Respighi: Gli uccelli, P. 154: II. La Colomba | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 0 | 11A | 170 BPM | ||
Les Diamants de la couronne, S. 34: Overture | Daniel Auber, Estonian National Symphony Orchestra, Neeme Järvi | C Major | 2 | 8B | 147 BPM | ||
Kyrie in D Major: IV. Versetto No.3, Senza indicazione di tempo | Giacomo Puccini, Paolo Bottini | D Major | 0 | 10B | 141 BPM | ||
The Sleeping Emperor | Ludwig van Beethoven, Shoko Sugitani, Berliner Symphoniker, Gerard Oskamp | B Major | 0 | 1B | 132 BPM | ||
Concerto Grosso Op.25-3 G Major 'Watermusic Suite No.3': Affetuoso-Cantabile | I Musici Di San Marco, Alberto Lizzio | G Minor | 0 | 6A | 88 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Respighi: Pines of Rome P. 141: The Pines of Janiculum | Ottorino Respighi, San Francisco Symphony, Esa-Pekka Salonen | B Major | 0 | 1B | 95 BPM | ||
Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM |