On May 1, 1987, the song "Saat und Ernte, Op. 159" was released by Eduard Strauss, Johann Strauss Orchestra, Jack Rothstein. The duration of Saat und Ernte, Op. 159 is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Saat und Ernte, Op. 159's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vienna Premiere, Vol. 2 by Johann Strauss Orchestra, Jack Rothstein, Marilyn Hill Smith. The song's track number on the album is #10 out of 17 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Saat und Ernte, Op. 159's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Saat und Ernte, Op. 159 by Eduard Strauss, Johann Strauss Orchestra, Jack Rothstein has a tempo of 148 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Saat und Ernte, Op. 159 being at 148 テンポ, the half-time would be 74 テンポ with a double-time of 296 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chris and the Wonderful Lamp: Jack Tar | John Philip Sousa | F♯ Major | 2 | 2B | 114 BPM | ||
Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM | ||
Giselle: Act II: Andante: Men's Variation | Adolphe Adam, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 2 | 5B | 84 BPM | ||
Rund Um Die Liebe: Rund Um Die Liebe, Ouverture | Oscar Straus, Budapest Strauss Symphony Orchestra | A Major | 3 | 11B | 73 BPM | ||
Italian Polka | Sergei Rachmaninoff, Jan Valta, Philharmonic Wind Orchestra, Marc Reift | F Minor | 7 | 4A | 154 BPM | ||
Act I: Pas De Caractere (Street Dancer & Torero Espada) (Minkus) | Mariinsky Orchestra | C Major | 4 | 8B | 142 BPM | ||
Act III: March (Minkus) | Mariinsky Orchestra | G Major | 4 | 9B | 120 BPM | ||
Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM | ||
Isabella: Ouvertüre | Franz von Suppé, Franz Welser-Möst, Wiener Philharmoniker | D Major | 3 | 10B | 102 BPM |