Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti's 'Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Eh!...Son qua! Son qua! (Coro/Canio)' came out on 1979. The duration of Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Eh!...Son qua! Son qua! (Coro/Canio) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Eh!...Son qua! Son qua! (Coro/Canio)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 2 out of 44. Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Eh!...Son qua! Son qua! (Coro/Canio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci, Atto Primo, Scena prima/Scene 1/Erste Szene/Première Scène: Eh!...Son qua! Son qua! (Coro/Canio) by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il tango delle capinere | Leo Nucci, Salotto Ottocento Ensemble | D Major | 4 | 10B | 82 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 176 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
Dvořák: 8 Slavonic Dances, Op. 72, B. 147: No. 10 in E Minor | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker | C Major | 1 | 8B | 81 BPM | ||
Les Contes d'Hoffmann (2003 - Remaster), Act II: Les oiseaux dans la charmille :Chanson de la poupéee (Olympia/Chorus) | Jacques Offenbach, Gianna d' Angelo/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 103 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Requiem In D Minor, K. 626: Sequence: II. Tuba Mirum | Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Vladimir Ruso, Jaroslava Horska, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Wolfgang Amadeus Mozart | F Major | 0 | 7B | 94 BPM | ||
Pagliacci / Act 2: "E dessa! Dei, come è bella" | Ruggero Leoncavallo, Juan Pons, Ernesto Gavazzi, Daniela Dessi, Philadelphia Orchestra, Riccardo Muti | C Major | 1 | 8B | 84 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM |