"Dvořák: 8 Slavonic Dances, Op. 72, B. 147: No. 10 in E Minor" by Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker was released on September 5, 2005. The duration of Dvořák: 8 Slavonic Dances, Op. 72, B. 147: No. 10 in E Minor is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Dvořák: 8 Slavonic Dances, Op. 72, B. 147: No. 10 in E Minor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 16 in Dvořák: Slavonic Dances, Op. 46 & 72 by Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Dvořák: 8 Slavonic Dances, Op. 72, B. 147: No. 10 in E Minor is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dvořák: 8 Slavonic Dances, Op. 72, B. 147: No. 10 in E Minor by Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Legends, Op. 59, B. 122: VI. Allegro con moto | Antonín Dvořák, Cristian Măcelaru, WDR Sinfonieorchester | C Minor | 1 | 5A | 72 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
Dvorák: Serenade for Strings, Op. 22, B. 52: I. Moderato | Antonín Dvořák, English Chamber Orchestra & Sir Charles Mackerras, Sir Charles Mackerras, English Chamber Orchestra | E Major | 0 | 12B | 80 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM |