"Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 1: "Ô pure émotion !" (Méphistophélès, Faust)" by Hector Berlioz, John Nelson, Michael Spyres, Nicolas Courjal, Orchestre Philharmonique De Strasbourg was released on November 22, 2019. The duration of Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 1: "Ô pure émotion !" (Méphistophélès, Faust) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 1: "Ô pure émotion !" (Méphistophélès, Faust)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 45 in Berlioz: La Damnation de Faust by Hector Berlioz, John Nelson, Orchestre Philharmonique De Strasbourg. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 1: "Ô pure émotion !" (Méphistophélès, Faust) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 1: "Ô pure émotion !" (Méphistophélès, Faust) by Hector Berlioz, John Nelson, Michael Spyres, Nicolas Courjal, Orchestre Philharmonique De Strasbourg is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sylvia: Act I: Les chasseresses (Fanfare) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 1 | 5B | 83 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors Berlin | F Major | 1 | 7B | 111 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
Benvenuto Cellini, Op. 23: Overture | Hector Berlioz, Orchestre National De Lyon, Leonard Slatkin | A♭ Major | 3 | 4B | 141 BPM | ||
Ruslan and Lyudmila / Act 1: Overture | Mikhail Glinka, Mariinsky Orchestra, Valery Gergiev | D Major | 1 | 10B | 89 BPM | ||
Die Walküre, WWV 86B / Act I: Orchestervorspiel | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 127 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: II. Andante | Felix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | C Major | 1 | 8B | 85 BPM |