City Of Birmingham Symphony Orchestra, Sir Mark Elder's 'King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. 9. He that has an' came out on June 28, 2005. The duration of King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. 9. He that has an is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. 9. He that has an's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #38. In terms of popularity, King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. 9. He that has an is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. 9. He that has an by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird: Scene 1: The Princesses play with the golden apples (Scherzo) | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B♭ Major | 3 | 6B | 154 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Heath Quartet | A Minor | 1 | 8A | 82 BPM | ||
Piano Concerto No. 1 in E Minor: III. Cavatina. Larghetto amoroso | Emil von Sauer, Lawrence Foster, Stephen Hough, City Of Birmingham Symphony Orchestra | C Major | 0 | 8B | 71 BPM | ||
Sibelius: Belshazzar's Feast, Incidental Music: II. (b) The Jewish Girl's Song | Jean Sibelius, Karita Mattila, Sakari Oramo, City Of Birmingham Symphony Orchestra | B Minor | 0 | 10A | 90 BPM | ||
Symphony in C: Adagio | Georges Bizet, Paavo Järvi, Orchestre de Paris | A Minor | 0 | 8A | 125 BPM | ||
The Four Seasons Recomposed, Winter (After A. Vivaldi): I. — | Max Richter, Francisco Fullana, City Of Birmingham Symphony Orchestra, Carlos Izcaray | F Minor | 5 | 4A | 151 BPM | ||
The Young Person's Guide to the Orchestra, Op.34: Var.M: Percussion (Moderato) | Sir Simon Rattle, City Of Birmingham Symphony Orchestra | G Major | 1 | 9B | 96 BPM | ||
Cello Concerto No.1 in E Flat Major, Op.107: 4. Allegro con moto - Live | Dmitri Shostakovich, Sheku Kanneh-Mason, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla | A♭ Major | 4 | 4B | 128 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
Debussy: La plus que lente, L. 121 | Claude Debussy, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 133 BPM |