"Piano Concerto No. 1 in E Minor: III. Cavatina. Larghetto amoroso" by Emil von Sauer, Lawrence Foster, Stephen Hough, City Of Birmingham Symphony Orchestra was released on September 1, 1995. Since Piano Concerto No. 1 in E Minor: III. Cavatina. Larghetto amoroso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Sauer & Scharwenka: Piano Concertos (Hyperion Romantic Piano Concerto 11)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No. 1 in E Minor: III. Cavatina. Larghetto amoroso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 1 in E Minor: III. Cavatina. Larghetto amoroso by Emil von Sauer, Lawrence Foster, Stephen Hough, City Of Birmingham Symphony Orchestra having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in A Major, S. 125: Allegro animato | Franz Liszt, André Watts, Andrew Litton, Dallas Symphony Orchestra | A Major | 3 | 11B | 95 BPM | ||
Piano Concerto No. 4 "Air": I. - | Christian Schittenhelm, Svetlana Andreeva, Royal Scottish National Orchestra, Sergey Neller | C Minor | 2 | 5A | 117 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Barocco Suite No. 5 for Chamber Orchestra, Op. 23: IV. Pastorale e Gagliarda | Kurt Atterberg, Örebro Chamber Orchestra, Thord Svedlund, Mikael Bergek | A Major | 0 | 11B | 74 BPM | ||
Fantasy Pieces, Op. 45: Summer Song | Agathe Backer Grøndahl, Iceland Symphony Orchestra, Bjarte Engeset | G Major | 0 | 9B | 91 BPM | ||
Petite suite, L. 65: II. Cortège | Claude Debussy, Louis Lane, Cleveland Orchestra | C Major | 5 | 8B | 156 BPM | ||
Violin Concerto: III. Electric | Christopher Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
A Symphonic Mass: IV. Offertorium | George Lloyd, Bournemouth Symphony Orchestra | G Major | 3 | 9B | 131 BPM | ||
Piano Concerto No. 2 in C Minor: IV. Allegro deciso, assai moderato | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | E♭ Major | 1 | 5B | 103 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM |