"Sibelius: Belshazzar's Feast, Incidental Music: II. (b) The Jewish Girl's Song" by Jean Sibelius, Karita Mattila, Sakari Oramo, City Of Birmingham Symphony Orchestra was released on March 1, 2004. The duration of Sibelius: Belshazzar's Feast, Incidental Music: II. (b) The Jewish Girl's Song is about 3 minutes long, at 3:20. Based on our data, "Sibelius: Belshazzar's Feast, Incidental Music: II. (b) The Jewish Girl's Song" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Karita Mattila, Sakari Oramo & City of Birmingham Symphony Orchestra, Sakari Oramo, City Of Birmingham Symphony Orchestra's "Grieg & Sibelius : Orchestral Songs" album is number 14 out of 14. On top of that, France appears to be the country where this track was created. In terms of popularity, Sibelius: Belshazzar's Feast, Incidental Music: II. (b) The Jewish Girl's Song is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sibelius: Belshazzar's Feast, Incidental Music: II. (b) The Jewish Girl's Song by Jean Sibelius, Karita Mattila, Sakari Oramo, City Of Birmingham Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Liebestraum No. 3 in A-Flat Major, S. 541 / 3 | Franz Liszt, Lang Lang | A♭ Major | 0 | 4B | 137 BPM | ||
Clarinet Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Andreas Ottensamer, Gautier Capuçon, Yuja Wang | A Minor | 1 | 8A | 68 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 55 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Rondo capriccioso in E Major, Op. 14, MWV U67: 1. Andante | Felix Mendelssohn, Jan Lisiecki | E Major | 0 | 12B | 70 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | C Minor | 1 | 5A | 79 BPM |