"Grosser Gott Hör' Mein Fleh'n, La Juive (Die Jüdin, Oper In 5 Akten) (Auszug)" by Leo Slezak was released on May 5, 2010. The duration of Grosser Gott Hör' Mein Fleh'n, La Juive (Die Jüdin, Oper In 5 Akten) (Auszug) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Grosser Gott Hör' Mein Fleh'n, La Juive (Die Jüdin, Oper In 5 Akten) (Auszug)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 8 out of 22. Grosser Gott Hör' Mein Fleh'n, La Juive (Die Jüdin, Oper In 5 Akten) (Auszug) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Grosser Gott Hör' Mein Fleh'n, La Juive (Die Jüdin, Oper In 5 Akten) (Auszug) by Leo Slezak to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La muette de Portici, S.16, Act II: "Es wehen frische Morgenwinde" | Leo Slezak | G Major | 0 | 9B | 89 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Suzanne Danco, Guido Agosti | E♭ Major | 1 | 5B | 132 BPM | ||
Andrea Chénier, Act IV: Come un bel dì di maggio | Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F♯ Minor | 2 | 11A | 82 BPM | ||
L'Olimpiade, Act I Scene 9: Duetto. "Ne’giorni tuoi felici" | Domenico Cimarosa, Maite Beaumont, Rocio Pérez, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM | ||
Finestra che lucevi | Vincenzo Bellini, Zambrelli Mario, Stefano Secco | A Minor | 4 | 8A | 83 BPM | ||
An diesem Ort mich hier zu finden (Die Hugenotten) | Leo Slezak | E♭ Major | 1 | 5B | 91 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Chanson. "Si je bois un peu, beaucoup" (Alfred, Caroline) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 1: Wenn Beifall dieser Abend findet | Franz Lehár, Benno Kusche, Günter Kallmann Chor | G Major | 4 | 9B | 117 BPM | ||
Norma, Act II: Cedi! Deh, cedi! (Critical Ed. Maurizio Biondi and Riccardo Minasi) - Edit | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | D Major | 2 | 10B | 131 BPM | ||
GENTLEMAN, I PRAY YOU TELL ME (Remastered 2022) | Gilbert & Sullivan, West End Performers | E♭ Major | 4 | 5B | 127 BPM |