Franz Lehár, Benno Kusche, Günter Kallmann Chor made "The Merry Widow (Die lustige Witwe) / Act 1: Wenn Beifall dieser Abend findet" available on January 1, 1968. With The Merry Widow (Die lustige Witwe) / Act 1: Wenn Beifall dieser Abend findet being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 17 in Franz Lehár: Die lustige Witwe by Franz Lehár, Benno Kusche, Ingeborg Hallstein, Heinz Hoppe, Lucia Popp, Peter Alexander, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek. In terms of popularity, The Merry Widow (Die lustige Witwe) / Act 1: Wenn Beifall dieser Abend findet is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of The Merry Widow (Die lustige Witwe) / Act 1: Wenn Beifall dieser Abend findet by Franz Lehár, Benno Kusche, Günter Kallmann Chor is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Auf Flügeln der Liebe Polka schnell, op. 171 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | F Major | 3 | 7B | 153 BPM | ||
Wo die Lerche singt, Act I: "Bitte nehmens' doch Platz bei der Laube" - "Auf dem Bankerl" (Vilma, Margit, Pál) | Franz Lehár, Großes Wiener Rundfunkorchester, Esther Rethy, Else Macha, Ernst Tautenhayn | A♭ Major | 2 | 4B | 110 BPM | ||
Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Meine Lippen, die küssen so heiss | Franz Lehár, Anna Netrebko | E Major | 2 | 12B | 83 BPM | ||
Mit Dampf, Op. 70: Mit Dampf, Polka schnell, Op. 70 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | B♭ Major | 4 | 6B | 148 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
Rossini: Tancredi, Act 1: "Oh patria!... Tu che accendi questo core... Di tanti palpiti" (Tancredi) | Gioachino Rossini, Marie-Nicole Lemieux, Enrique Mazzola, Orchestre national de Montpellier Occitanie | F Major | 0 | 7B | 168 BPM | ||
Bizet: Les Pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | E♭ Major | 2 | 5B | 88 BPM |