Leo Slezak's 'An diesem Ort mich hier zu finden (Die Hugenotten)' came out on August 28, 2006. With An diesem Ort mich hier zu finden (Die Hugenotten) being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leo Slezak's "Lebendige Vergangenheit - Leo Slezak (Vol.2)" album is number 8 out of 25. In terms of popularity, An diesem Ort mich hier zu finden (Die Hugenotten) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of An diesem Ort mich hier zu finden (Die Hugenotten) by Leo Slezak to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nimm von mir Lieb´ um Liebe! (Die Hugenotten) | Leo Slezak, Elsa Bland | C Major | 2 | 8B | 84 BPM | ||
Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar) | Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 89 BPM | ||
La forza del destino, Act II, Scene II: Madre, pietosa Vergine | Giuseppe Verdi, Dinara Alieva, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | D♭ Major | 3 | 3B | 76 BPM | ||
Don Giovanni, K.527, Act II: Aria. "Mi tradì quest"alma ingrata" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM | ||
Time | Bruce Mondek | A♭ Major | 1 | 4B | 99 BPM | ||
Spontini: Agnes von Hohenstaufen: "Der Strom wälzt ruhig seine dunklen Wogen" (Heinrich) | Gaspare Spontini, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Il trovatore: Condotta ell'era in ceppi | Giuseppe Verdi, Dolora Zajick, Charles Rosekrans, Royal Philharmonic Orchestra, Piero Giuliacci | D♭ Major | 0 | 3B | 90 BPM | ||
Lucia di Lammermoor, Act I: Il tuo dubbio | Gaetano Donizetti, Coro del Teatro Carlo Felice di Genova, Didier Pieri, Stefano Antonucci, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | B♭ Major | 2 | 6B | 71 BPM |