"Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar)" by Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1995. The duration of Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Schoenberg: Gurre-Lieder". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar) by Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Leontyne Price, Giuseppe Taddei, Wiener Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 76 BPM | ||
String Trio, Op. 45: Part II | Arnold Schoenberg, Walter Levin, Peter Kamnitzer, Lee Fiser | E Minor | 1 | 9A | 129 BPM | ||
Perpetuum mobile, Op. 257 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | E♭ Major | 3 | 5B | 154 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Wenn der Freude Tränen fließen - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Pelléas et Mélisande, L. 88 / Act I: Je suis perdu aussi | Claude Debussy, José van Dam, Wiener Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 166 BPM | ||
Die Meistersinger von Nürnberg - Act 3: "Sankt Krispin, lobet ihn!" | Richard Wagner, Adolf Dallapozza, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 109 BPM | ||
Wozzeck / Act III: Scene II: Forest Path by a Pool. "Dort links geht's in die Stadt" | Alban Berg, Hildegard Behrens, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 83 BPM | ||
Lohengrin, WWV 75 / Act II: "Gesegnet soll sie schreiten" | Richard Wagner, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 80 BPM | ||
Mondaufgang | Otto Nicolai, Gustavo Dudamel, Wiener Philharmoniker | E♭ Major | 2 | 5B | 74 BPM | ||
Elias, Op. 70: Teil I: Herr Gott Abrahams | Felix Mendelssohn, Thomas Hengelbrock | B♭ Major | 1 | 6B | 172 BPM |