"Concerto for Two: IV. Finale" by Lee Bradshaw, Baiba Skride, Harriet Krijgh was released on August 26, 2022. The duration of Concerto for Two: IV. Finale is about 3 minutes long, at 3:06. Based on our data, "Concerto for Two: IV. Finale" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Lee Bradshaw, Baiba Skride, Ivan Vukčević, Harriet Krijgh's "Lee Bradshaw: The Ties That Bind" album is number 9 out of 13. On top of that, United States appears to be the country where this track was created. Concerto for Two: IV. Finale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Two: IV. Finale by Lee Bradshaw, Baiba Skride, Harriet Krijgh to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Rhapsody No. 1, Sz. 87 (Version for Violin & Piano) | Béla Bartók, Matteo Cossu, Bruno Canino | D Major | 0 | 10B | 101 BPM | ||
String Quartet, Op. 56 "Voces intimae": II. Vivace | Jean Sibelius, Vertavo String Quartet | D Major | 0 | 10B | 71 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): I. El paño moruno | Manuel de Falla, Duo Arnicans | B Minor | 1 | 10A | 115 BPM | ||
Orientale | Enrique Grandados, Dave Loew | C Minor | 1 | 5A | 83 BPM | ||
Myrthen, Op. 25: No. 24 - Du bist wie eine Blume | Robert Schumann, Pablo Ferrandez, Julien Quentin | A♭ Major | 1 | 4B | 109 BPM | ||
Romanze F Minor: Romanze F Minor | Sergei Rachmaninoff, Reiner Ginzel, Gitti Pirner | F Minor | 0 | 4A | 166 BPM | ||
Thaïs: Méditation (Arr. for String Ensemble by Kuan-Yu Huang and Mayumi Seiler) | Jules Massenet, Mayumi Seiler, Hee-Soo Yoon, Isabel Lago, Radia, Rachel Mercer, Joe Phillips, Ben Albertson | A♭ Major | 1 | 4B | 142 BPM | ||
Masques, L. 110 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
La memoria di Jean | Nicola Piovani | A Minor | 0 | 8A | 86 BPM | ||
Trois romances, Op. 22: I. Andante molto | Clara Schumann, Duo Alma | D♭ Major | 0 | 3B | 74 BPM |