"Masques, L. 110 (Arr. For Cello And Piano By Olivier Hébert-Bouchard)" by Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard was released on April 26, 2024. Masques, L. 110 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The song is number 10 out of 15 in Claude Debussy: Images retrouvées by Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. The popularity of Masques, L. 110 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Masques, L. 110 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) by Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard is Vivace (lively and fast), since this song has a tempo of 170 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le carnaval des animaux: Saint-Saens - Carnival of the Animals: XIII. Le Cygne (The Swan) | Camille Saint-Saëns, Konstantin Scherbakov | F♯ Major | 0 | 2B | 75 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 173 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 71 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" | Ludwig van Beethoven, Igor Levit | A Minor | 0 | 8A | 126 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM |