Sir Thomas Beecham, Royal Philharmonic Orchestra made "Le Roi s'amuse: Incidental Music - Ballet Music (2002 Digital Remaster): IV. Lesquercarde" available on 2002. With Le Roi s'amuse: Incidental Music - Ballet Music (2002 Digital Remaster): IV. Lesquercarde being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 21 in French Ballet Music by Sir Thomas Beecham. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Le Roi s'amuse: Incidental Music - Ballet Music (2002 Digital Remaster): IV. Lesquercarde's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Le Roi s'amuse: Incidental Music - Ballet Music (2002 Digital Remaster): IV. Lesquercarde by Sir Thomas Beecham, Royal Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 137 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 1. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Lohengrin, WWV 75: Prelude To Act I | Richard Wagner, Berliner Philharmoniker, Rafael Kubelík | B Major | 1 | 1B | 81 BPM | ||
Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
Messiah, HWV 56: Part II, Scene 1: Thy rebuke hath broken his Heart | George Frideric Handel, Sir Thomas Beecham, Jon Vickers | A♭ Major | 1 | 4B | 178 BPM | ||
Der fliegende Holländer, WWV 63: Overture | Richard Wagner, Bayreuth Festival Orchestra, Karl Böhm | F Minor | 0 | 4A | 93 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Symphony No. 8 'Unfinished' (1996 - Remaster): I. Allegro moderato (opening) | Herbert von Karajan, Berliner Philharmoniker | G Major | 0 | 9B | 98 BPM |