"Purcell / Arr. Pluhar: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth"" by Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza was released on 1900. With this song being about 5 minutes long, at 5:03, "Purcell / Arr. Pluhar: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth"" by Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Henry Purcell, Christina Pluhar's "Music for a While - Improvisations on Purcell" album is number 8 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Purcell / Arr. Pluhar: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Purcell / Arr. Pluhar: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" by Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza to be Andante (at a walking pace) because the track has a tempo of 102 テンポ, a half-time of 51テンポ, and a double-time of 204 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folia passeggiata sopra D | L'Arpeggiata, Christina Pluhar | A Minor | 1 | 8A | 48 BPM | ||
A Chloris (Arr. For Cor Anglais & Orchestra) | Reynaldo Hahn, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | E Major | 0 | 12B | 87 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Emma Kirkby, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 129 BPM | ||
O Cessate Di Piagarmi (Arr. Voice & Electric Guitar) | Alessandro Scarlatti, Nora Fischer, Marnix Dorrestein | B♭ Minor | 1 | 3A | 136 BPM | ||
Love Walked In | George Gershwin, Benjamin Grosvenor | D♭ Major | 1 | 3B | 125 BPM | ||
Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Stephan MacLeod, Béatrice Mayo-Felip, Marco Beasley, Johannette Zomer, Núria Rial | G Major | 1 | 9B | 75 BPM | ||
Purcell / Arr. Pluhar: Timon of Athens, Z. 632: "Hark! How the Songsters of the Grove" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza | D Major | 2 | 10B | 128 BPM | ||
Lambert: Vos mépris chaque jour | Michel Lambert, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | B Major | 0 | 1B | 94 BPM | ||
Isla Sacá (Polca) | Anon, Christina Pluhar | G Major | 2 | 9B | 123 BPM | ||
Rappresentatione di Anima, et di Corpo, Atto Terzo: Scena settima (Intelletto, Anime beate, Si rinchiude l'Inferno, Consiglio, Anime, Corpo) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Jan Van Elsacker, Céline Vieslet, Béatrice Mayo-Felip, Stephan MacLeod, Johannette Zomer, Marco Beasley | G Major | 0 | 9B | 74 BPM |