Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro)

Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Stephan MacLeod, Béatrice Mayo-Felip, Marco Beasley, Johannette Zomer, Núria Rial
Cavalieri: Rappresentatione di Anima, et di Corpo
8:08 2004日
テンポ
75
キー
G Major
キャメロットミュージックキー
9B

リンクを埋め込む

共有

Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) - Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Stephan MacLeod, Béatrice Mayo-Felip, Marco Beasley, Johannette Zomer, Núria Rial 情報

音響性
97%
ダンサビリティ
29%
エネルギー
9%
手段性
0%
活気
10%
ラウドネス
68%
話し言葉
5%
価数
14%
人気
ラウドネス
-19.198 dB

まとめ

"Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro)" by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Stephan MacLeod, Béatrice Mayo-Felip, Marco Beasley, Johannette Zomer, Núria Rial was released on 2004. Since Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 14 out of 31 in Cavalieri: Rappresentatione di Anima, et di Corpo by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar. Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) テンポ

The tempo marking of Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Stephan MacLeod, Béatrice Mayo-Felip, Marco Beasley, Johannette Zomer, Núria Rial is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.

Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) キー

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Tallis: Spem in Alium - 4. Respice (Repeat) by The Tallis Scholars, Peter PhillipsTallis: Spem in Alium - 4. Respice (Repeat)The Tallis Scholars, Peter PhillipsD Major310B89 BPM
Membra Jesu nostri, BuxWV 75: IIId. Ad manus: In cruore tuo lotum by Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego FasolisMembra Jesu nostri, BuxWV 75: IIId. Ad manus: In cruore tuo lotumDietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego FasolisF♯ Minor211A100 BPM
Pieces for 2 Lutes: III. Corant by William Lawes, Jacob Heringman, David MillerPieces for 2 Lutes: III. CorantWilliam Lawes, Jacob Heringman, David MillerA Major011B90 BPM
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio by Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin PerrotSonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. AdagioDietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin PerrotD♭ Major13B90 BPM
In Nomine - In Nomine - "Re la re": In Nomine - "Re la re"Christopher Tye, The Rose Consort Of Viols, Clare WilkinsonD♭ Minor012A0 BPM
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam by Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van HeyghenMissa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternamNiccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van HeyghenA Major011B87 BPM
Lawes: Consort Set No. 2 for 5 Viols in A Minor, VdGS 71-73: II. Fantazy by William Lawes, FretworkLawes: Consort Set No. 2 for 5 Viols in A Minor, VdGS 71-73: II. FantazyWilliam Lawes, FretworkA Minor18A79 BPM
Binchois: Amours mercy de trespout non pooir by Gilles Binchois, Ensemble Gilles Binchois, Dominique VellardBinchois: Amours mercy de trespout non pooirGilles Binchois, Ensemble Gilles Binchois, Dominique VellardD♭ Minor112A88 BPM
Palestrina: Canticum Canticorum (Motets, Book 4): No, 1, Osculetur me osculo oris sui chapter by Giovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul HillierPalestrina: Canticum Canticorum (Motets, Book 4): No, 1, Osculetur me osculo oris sui chapterGiovanni Pierluigi da Palestrina, The Hilliard Ensemble, Paul HillierB♭ Major16B76 BPM
Rappresentatione di anima et di corpo, Atto II Scena 6: Rappresentatione di anima et di corpo, Atto II Scena 6: "Fortissimi guerrieri" (L'Angelo Custode)Emilio de' Cavalieri, Christina Roterberg, Chor der Deutschen Staatsoper Berlin, Akademie für Alte Musik Berlin, René JacobsG Major19B116 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records