"O Cessate Di Piagarmi (Arr. Voice & Electric Guitar)" by Alessandro Scarlatti, Nora Fischer, Marnix Dorrestein was released on March 9, 2018. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since O Cessate Di Piagarmi (Arr. Voice & Electric Guitar) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, O Cessate Di Piagarmi (Arr. Voice & Electric Guitar)'s popularity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With O Cessate Di Piagarmi (Arr. Voice & Electric Guitar) by Alessandro Scarlatti, Nora Fischer, Marnix Dorrestein having a テンポ of 136 with a half-time of 68 テンポ and a double-time of 272 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Je crois entendre encore - Voice | Georges Bizet, Salvatore Licitra, Sian Edwards, Orchestra of the Royal Opera House, Covent Garden | G Minor | 1 | 6A | 151 BPM | ||
Los Secretos | Renaud Garcia-Fons | A Minor | 1 | 8A | 124 BPM | ||
Nisi Dominus, RV 608: 4. "Cum dederit" (Andante) | Antonio Vivaldi, Franco Fagioli, I Barocchisti, Diego Fasolis | F♯ Minor | 5 | 11A | 100 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
Etudes latines: Néère | Reynaldo Hahn, Véronique Gens, Susan Manoff | F♯ Minor | 0 | 11A | 104 BPM | ||
With Wand'ring Steps [The Merchant of Venice] | Andreas Scholl, Baroque String Quartet, Siobhán Armstrong, Harvey Brough, Elizabeth Kenny | G Minor | 1 | 6A | 127 BPM | ||
Passacaglia della vita | Stefano Landi, Ed Lyon, Theatre of the Ayre, Elizabeth Kenny | A♭ Minor | 3 | 1A | 122 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Véronique Gens, Les Arts Florissants | F♯ Minor | 0 | 11A | 80 BPM | ||
Tu ch'hai le penne, amore | Giulio Caccini, Cecilia Bartoli, György Fischer | G Minor | 1 | 6A | 134 BPM | ||
Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) | Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double Sens | D Major | 0 | 10B | 73 BPM |