"Reconnaissance: III. Green House" by Kaija Saariaho, Helsinki Chamber Choir, Uusinta Ensemble, Nils Schweckendiek was released on June 16, 2023. With this song being about 5 minutes long, at 5:25, "Reconnaissance: III. Green House" by Kaija Saariaho, Helsinki Chamber Choir, Uusinta Ensemble, Nils Schweckendiek is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 31 in the song's album "Reconnaissance". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Sweden. Reconnaissance: III. Green House is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Reconnaissance: III. Green House by Kaija Saariaho, Helsinki Chamber Choir, Uusinta Ensemble, Nils Schweckendiek having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 - Movement I | Philip Glass, Michael Riesman, Anne Manson, Manitoba Chamber Orchestra | F Minor | 4 | 4A | 155 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
Hear My Prayer, O Lord, Z.15 (Arr. Pierini for Soprano, Baritone and String Sextet) | Henry Purcell, Claudia Barainsky, Mikhail Timoshenko, Matthias Lingenfelder, Andreas Arndt, Delian Quartett | C Minor | 0 | 5A | 72 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): I. Slowly, sadly and as if to converse with | Toru Takemitsu, Kotaro Fukuma | B♭ Major | 0 | 6B | 112 BPM | ||
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
Concerto for Choir: II. I, an Expert in Human Passions, Composed this Collection of Songs, Where Every Verse is Full to the Brim with Blasck Sorrow | Alfred Schnittke, Elena Dof-Donskaya, Valery Polyansky, USSR Ministry of Culture Chamber Choir | D Major | 2 | 10B | 132 BPM | ||
Greater Antiphons: I. O Wisdom | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | D Major | 0 | 10B | 110 BPM | ||
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
Alia fantasia | Nicola Matteis Jr., Léo Belthoise | G Major | 1 | 9B | 114 BPM | ||
Piano Pieces for Children: No. 2. Clouds | Toru Takemitsu, Kotaro Fukuma | A Major | 0 | 11B | 96 BPM |