"Reconnaissance: III. Green House" by Kaija Saariaho, Helsinki Chamber Choir, Uusinta Ensemble, Nils Schweckendiek was released on June 16, 2023. With this song being about 5 minutes long, at 5:25, "Reconnaissance: III. Green House" by Kaija Saariaho, Helsinki Chamber Choir, Uusinta Ensemble, Nils Schweckendiek is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 31 in the song's album "Reconnaissance". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Sweden. Reconnaissance: III. Green House is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Reconnaissance: III. Green House by Kaija Saariaho, Helsinki Chamber Choir, Uusinta Ensemble, Nils Schweckendiek having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chansons: No. 2. J'avais un amour autrefois… (I had a love in the past) | Iannis Xenakis, Stephanos Thomopoulos | D Major | 3 | 10B | 142 BPM | ||
Three Miniatures for Solo Violin: II. A Canon for Sally | George Benjamin, Carolin Widmann | D Major | 1 | 10B | 108 BPM | ||
Violin Concerto No. 2 "The American Four Seasons": Prologue | Delirium Musicum, Étienne Gara | B♭ Major | 0 | 6B | 175 BPM | ||
L'Amour de loin: Premier acte. Deuxième tableau : Le Pèlerin. Le Pèlerin : "Peut-être bien qu'elle n'existe pas" | Kaija Saariaho, Daniel Belcher, Marie-Ange Todorovitch, Kent Nagano, Deutsches Symphonie-Orchester Berlin | D Major | 1 | 10B | 91 BPM | ||
Orpheus: Scene I: Lento sostenuto | Igor Stravinsky, London Symphony Orchestra, Robert Craft | E Minor | 0 | 9A | 63 BPM | ||
Serenade: I. Passacaglia | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Major | 0 | 9B | 85 BPM | ||
String Quartet No. 1, Mvnt. II. | James William Ricci, QX String Quartet | A♭ Major | 1 | 4B | 82 BPM | ||
Schnittke: Piano Quintet: II. In tempo di valse | Alfred Schnittke, Borodin Quartet, Ludmila Berlinskaya | B♭ Major | 0 | 6B | 80 BPM | ||
Blueprint | Caroline Shaw, Attacca Quartet | D Minor | 1 | 7A | 64 BPM | ||
The Unanswered Question | Charles Ives, Leonard Bernstein, New York Philharmonic | A♭ Major | 2 | 4B | 105 BPM |