"L'Amour de loin: Premier acte. Deuxième tableau : Le Pèlerin. Le Pèlerin : "Peut-être bien qu'elle n'existe pas"" by Kaija Saariaho, Daniel Belcher, Marie-Ange Todorovitch, Kent Nagano, Deutsches Symphonie-Orchester Berlin was released on September 7, 2009. L'Amour de loin: Premier acte. Deuxième tableau : Le Pèlerin. Le Pèlerin : "Peut-être bien qu'elle n'existe pas" is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The track order of this song in Kaija Saariaho, Kent Nagano's "Kaija Saariaho: L'Amour de loin" album is number 3 out of 30. In terms of popularity, L'Amour de loin: Premier acte. Deuxième tableau : Le Pèlerin. Le Pèlerin : "Peut-être bien qu'elle n'existe pas" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Amour de loin: Premier acte. Deuxième tableau : Le Pèlerin. Le Pèlerin : "Peut-être bien qu'elle n'existe pas" by Kaija Saariaho, Daniel Belcher, Marie-Ange Todorovitch, Kent Nagano, Deutsches Symphonie-Orchester Berlin to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Amour de loin: Cinquième acte. Premier tableau : Jardin de la Citadelle. Le Chœur des Tripolitaines : "Comtesse, regardez" | Kaija Saariaho, Deutsches Symphonie-Orchester Berlin, Ekaterina Lekhina, Kent Nagano, Rundfunkchor Berlin | B♭ Major | 2 | 6B | 104 BPM | ||
Aria, Op. 9 | Mieczysław Weinberg, Kremerata Baltica, Gidon Kremer | B♭ Major | 1 | 6B | 90 BPM | ||
Kol Nidre | John Zorn, Quatuor Molinari | F♯ Minor | 1 | 11A | 147 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): III. A song of love | Toru Takemitsu, Kotaro Fukuma | G Major | 0 | 9B | 0 BPM | ||
A Little Midnight Music: VII. Blues in the Night | George Crumb, Emanuele Arciuli | F♯ Major | 0 | 2B | 68 BPM | ||
Umi e (Toward the Sea): II - Moby Dick | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | D♭ Major | 0 | 3B | 74 BPM | ||
3 Pieces for String Quartet: No. 3 | Igor Stravinsky, Goldner String Quartet | A♭ Major | 0 | 4B | 87 BPM | ||
4 Pieces for Violin and Piano, Op. 7: No. 1, Sehr Langsam | Anton Webern, Diamanda La Berge Dramm, Helena Basilova | F♯ Minor | 0 | 11A | 133 BPM | ||
Three Movements for Orchestra: 2. Mvt.2 | Steve Reich, Los Angeles Philharmonic, Stefan Asbury | F Minor | 1 | 4A | 183 BPM | ||
Erdélyi tánc | Béla Bartók, Angela Chun, Jennifer Chun | B Minor | 0 | 10A | 78 BPM |