"Serenade: I. Passacaglia" by Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit was released on February 7, 2012. The duration of Serenade: I. Passacaglia is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Serenade: I. Passacaglia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Penderecki: Sinfoniettas - Oboe Capriccio". In this album, this song's track order is #4. Serenade: I. Passacaglia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serenade: I. Passacaglia by Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Luke Passion, Pt. 1: No. 4, Domine, quis habitabit (Live) | Krzysztof Penderecki, Sarah Wegener, Warsaw Boys Choir, Kraków Philharmonic Chorus, Orchestre Symphonique de Montréal, Kent Nagano, Krzysztof Kusiel-Moroz | F Major | 0 | 7B | 87 BPM | ||
Greenwood: 48 Responses to Polymorphia: Pacay Tree | Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra | E Minor | 5 | 9A | 129 BPM | ||
Gaspard de la nuit: I. Ondine (arr. M. Constant for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | D♭ Major | 0 | 3B | 115 BPM | ||
Aus aller Herren Landern (From Foreign Lands), Op. 23: VI.Hungarian: Molto allegro | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | D Major | 4 | 10B | 141 BPM | ||
The Firebird Suite (1919 Version): VI. Lullaby | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A♭ Minor | 0 | 1A | 170 BPM | ||
Lamentate: Minacciando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | C Major | 0 | 8B | 72 BPM | ||
Adams: Nixon in China: Act I, Scene 1 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | A Minor | 0 | 8A | 105 BPM | ||
Symphony No. 15 in A Major, Op. 141: I. Allegretto | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 2 | 3B | 125 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 16: IV. Finale: Allegro tempestoso | Sergei Prokofiev, Kun-Woo Paik, Polish National Radio Symphony Orchestra, Antoni Wit | D Minor | 2 | 7A | 93 BPM | ||
Death and the Maiden: Paulina's Theme | Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 126 BPM |