"St. Luke Passion, Pt. 1: No. 4, Domine, quis habitabit (Live)" by Krzysztof Penderecki, Sarah Wegener, Warsaw Boys Choir, Kraków Philharmonic Chorus, Orchestre Symphonique de Montréal, Kent Nagano, Krzysztof Kusiel-Moroz was released on June 5, 2020. The duration of St. Luke Passion, Pt. 1: No. 4, Domine, quis habitabit (Live) is about 3 minutes long, at 3:04. Based on our data, "St. Luke Passion, Pt. 1: No. 4, Domine, quis habitabit (Live)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 27 in the song's album "Penderecki: St. Luke Passion (Live)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Sweden. St. Luke Passion, Pt. 1: No. 4, Domine, quis habitabit (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With St. Luke Passion, Pt. 1: No. 4, Domine, quis habitabit (Live) by Krzysztof Penderecki, Sarah Wegener, Warsaw Boys Choir, Kraków Philharmonic Chorus, Orchestre Symphonique de Montréal, Kent Nagano, Krzysztof Kusiel-Moroz having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Requiem for my Friend: Lacrimosa Day of Tears | Filharmonie Brno | D Minor | 1 | 7A | 124 BPM | ||
Cadenza for solo viola (trans. C. Edinger) | Christiane Edinger, Krzysztof Penderecki, Ida Bieler | B♭ Major | 0 | 6B | 82 BPM | ||
Gnossiennes: No. 4 | Erik Satie, Jean-Yves Thibaudet | A Minor | 0 | 8A | 63 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
The Sound of Trees: Apaisé, boisé | Camille Pépin, Orchestre De Picardie, Arie Van Beek, Julien Hervé, Yan Levionnois | A Minor | 2 | 8A | 138 BPM |