"Piano Concerto No. 1 In B Flat Minor, Op. 23, TH.55: 1a. Allegro non troppo e molto maestoso -" by Pyotr Ilyich Tchaikovsky, Martha Argerich, Bavarian Radio Symphony Orchestra, Kirill Kondrashin was released on January 1, 1998. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 100 Classical Favourites, so we believe that "Piano Concerto No. 1 In B Flat Minor, Op. 23, TH.55: 1a. Allegro non troppo e molto maestoso -" is a single. Piano Concerto No. 1 In B Flat Minor, Op. 23, TH.55: 1a. Allegro non troppo e molto maestoso - is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 1 In B Flat Minor, Op. 23, TH.55: 1a. Allegro non troppo e molto maestoso - by Pyotr Ilyich Tchaikovsky, Martha Argerich, Bavarian Radio Symphony Orchestra, Kirill Kondrashin is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
Serenade No. 5, Op. 3 | The Jane Austen Era | G Major | 1 | 9B | 95 BPM | ||
Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | E Minor | 2 | 9A | 87 BPM | ||
Incidental Music to "A Midsummer Night's Dream", Op.61: II. I. Scherzo After Act 1 | Felix Mendelssohn, Walter Weller, Royal Scottish Orchestra | G Minor | 1 | 6A | 119 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
La bohème: Quando me'n vo' | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A Minor | 3 | 8A | 77 BPM | ||
Werther: Pourquoi me réveiller (Arr. for Violin and Orchestra) | Jules Massenet, Joshua Bell, Michael Stern | G Minor | 2 | 6A | 105 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Major | 1 | 10B | 108 BPM | ||
Souvenir de Florence, Op. 70, TH 118: III. Allegro moderato - Live from Verbier Festival / 2013 | Pyotr Ilyich Tchaikovsky, Leonidas Kavakos, Lisa Batiashvili, Antoine Tamestit, Blythe Teh Engstroem, Gautier Capuçon, Stephan Koncz | A Minor | 2 | 8A | 87 BPM | ||
Mass in B Minor, BWV 232 "Hohe Messe": No. 4 Chorus: Et incarnatus est | Johann Sebastian Bach, Carlo Maria Giulini, Bavarian Radio Symphony Orchestra | B Minor | 0 | 10A | 75 BPM |