"Vespers for a New Dark Age: VI. Interlude 2" by Missy Mazzoli, Victoire, Glenn Kotche was released on March 31, 2015. The duration of Vespers for a New Dark Age: VI. Interlude 2 is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Vespers for a New Dark Age: VI. Interlude 2's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Missy Mazzoli, Victoire, Glenn Kotche's "Missy Mazzoli: Vespers for a New Dark Age" album is number 6 out of 9. On top of that, United States appears to be the country where this track was created. Vespers for a New Dark Age: VI. Interlude 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespers for a New Dark Age: VI. Interlude 2 by Missy Mazzoli, Victoire, Glenn Kotche to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Diver | Missy Mazzoli, Victoire | B Major | 3 | 1B | 74 BPM | ||
Double Concerto for Violin, Piano, and String Orchestra with Percussion: I. Misterioso | Tan Dun, Daniel Hope, Alexey Botvinov, New Century Chamber Orchestra | F Minor | 1 | 4A | 72 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: 15. Arioso interrotto (di Endre Szervánszky) Larghetto | György Kurtág, Parker Quartet | C Major | 0 | 8B | 176 BPM | ||
Move | Nico Muhly, Timo Andres | D Major | 2 | 10B | 89 BPM | ||
Six Melodies - performed on Violin and Harp: No.1 Rubato | John Cage, Gidon Kremer, Naoko Yoshino | D Minor | 0 | 7A | 113 BPM | ||
Ró | Anna Thorvaldsdottir, Caput Ensemble, Guðni Franzson | F Major | 0 | 7B | 153 BPM | ||
Three movements from String Quartet No. 2: II | Michael Nyman, Amstel Quartet | B♭ Major | 1 | 6B | 117 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Song from the Uproar: I have arrived | Missy Mazzoli, Abby Fischer, Celine Mogielnicki, Amelia Watkins, Kate Maroney, Tomas Cruz, Peter Stewart, Now Ensemble, Steven Osgood | A Major | 3 | 11B | 76 BPM | ||
Fólk fær andlit (Arr. Jarkko Riihimäki) | Hildur Guðnadóttir, Emily D'Angelo, das freie orchester Berlin, Jarkko Riihimäki | A Minor | 2 | 8A | 84 BPM |