Lars-Erik Larsson, Lars Ekborg, Elisabeth Söderström, Erik Saeden, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg's ' "Forkladd gud, Op. 24: Husbonden ma vi prisa sall." was released on its scheduled release date, January 1, 2000. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lars-Erik Larsson, Eric Ericson's "Larsson: Förklädd Gud - Missa Brevis - De nakna trädens sånger" album is number 7 out of 21. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Forkladd gud, Op. 24: Husbonden ma vi prisa sall. is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Forkladd gud, Op. 24: Husbonden ma vi prisa sall. by Lars-Erik Larsson, Lars Ekborg, Elisabeth Söderström, Erik Saeden, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G Major: IV. Gigue la precieuse | Marin Marais, Leif Henrikson, Lars-Erik Larsson | F♯ Major | 1 | 2B | 94 BPM | ||
Otto Allins Tromme-Polka (1864) | Hans Christian Lumbye, Tivoli Symphony Orchestra | G Major | 3 | 9B | 86 BPM | ||
Et Sæterbesøk - A Mountain Vision | Ole Bull, Arve Tellefsen | A Major | 1 | 11B | 91 BPM | ||
Vesle Hoa som var en Hottentott | Thorbjørn Egner, Reid Gilje, Noteservice Wind Ensemble, Rune A. Halvorsen | D Minor | 5 | 7A | 112 BPM | ||
Sommernatt ved fjorden | Ole Edvard Antonsen | C Major | 1 | 8B | 80 BPM | ||
Vad har du i fickan, Jan? | Lena Nyman, Gösta Ekman | D Major | 2 | 10B | 124 BPM | ||
Vårsång: Vårliga vindar draga | Jacob Axel Josephson, Orphei Drängar, Robert Sund | A Major | 2 | 11B | 99 BPM | ||
Bryllupsmarch | Felix Mendelssohn, Den Kongelige Livgardes Musikkorps | B♭ Major | 1 | 6B | 75 BPM | ||
Forklädd Gud, Op. 24 (Sung in English): Narration: So let us praise This husbandman… [the Disguised God] | Lars-Erik Larsson, Jeanette Köhn, Thomas Lander, Sven Wollter, Jonkoping Chamber Choir, Jonkoping Sinfonietta, Christopher Warren-Green | F Major | 1 | 7B | 106 BPM | ||
Pastoral Suite, Op. 19: II. Romance | Dag Wirén, Lars-Erik Larsson, Stockholm Radio Orchestra, Stig Westerberg | E♭ Major | 0 | 5B | 76 BPM |