"Bliss, Act III, Scene 5, "In Elysium": "At evening mortal memory takes its course"" by Brett Dean, Amanda Holden, Peter Coleman-Wright, Lorina Gore, Opera Australia Orchestra, Elgar Howarth was released on June 12, 2015. Since Bliss, Act III, Scene 5, "In Elysium": "At evening mortal memory takes its course" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 44 out of 44 in Bliss by Amanda Holden, Brett Dean, Opera Australia. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Bliss, Act III, Scene 5, "In Elysium": "At evening mortal memory takes its course" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bliss, Act III, Scene 5, "In Elysium": "At evening mortal memory takes its course" by Brett Dean, Amanda Holden, Peter Coleman-Wright, Lorina Gore, Opera Australia Orchestra, Elgar Howarth is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture, Pt. 1 | Hubert Evin, Guillaume Barli, Robin Aubertin, Francois Seillier | G Major | 3 | 9B | 101 BPM | ||
Suite for Violin and Piano, Op. 6: II. Moto perpetuo | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Bliss, Act I, Scene 4, "Man about Town": "Mister Joy. Harold Joy. Before we charge you" | Brett Dean, Amanda Holden, Stephen Smith, Shane Lowrencev, Peter Coleman-Wright, Opera Australia Orchestra, Elgar Howarth | G Minor | 1 | 6A | 81 BPM | ||
Si Yeou Ki, Pt. 1: I. Rêve et départ de San Ts'ang | Laurent Petitgirard, Hungarian Symphony Orchestra Budapest | B Minor | 0 | 10A | 101 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (1894 Version, Ed. L. Nowak): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Bamberg Symphony, Jakub Hrůša | D Major | 1 | 10B | 134 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Turangalîla-Symphony: II. Chant d'amour. 1 Modéré, lourd | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | ||
Notturno for Strings and Harp: Lento | Irving Fine, Gerard Schwarz, New York Chamber Symphony | D Major | 2 | 10B | 147 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
String Quintet in G Major, Op. 111: III. Un poco allegretto | Johannes Brahms, Brandis Quartet, Brett Dean | F Major | 0 | 7B | 74 BPM |