"Suite for Violin and Piano, Op. 6: II. Moto perpetuo" by Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust was released on April 12, 2024. The duration of Suite for Violin and Piano, Op. 6: II. Moto perpetuo is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Suite for Violin and Piano, Op. 6: II. Moto perpetuo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 11 in Britten: Violin Concerto, Chamber Works by Benjamin Britten, Isabelle Faust, Symphonieorchester des Bayerischen Rundfunks, Jakub Hrůša, Alexander Melnikov, Boris Faust. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Suite for Violin and Piano, Op. 6: II. Moto perpetuo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite for Violin and Piano, Op. 6: II. Moto perpetuo by Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust is Allegro (fast, quick, and bright), since this song has a tempo of 138 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Britten: Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue | Benjamin Britten, Ian Bostridge | C Major | 0 | 8B | 69 BPM | ||
Black Sorrow | Christian Lindberg, Símon Bolívar Symphony Orchestra | F♯ Minor | 1 | 11A | 65 BPM | ||
Fantasie in F Minor, D. 940, Op. 103: III. Allegro vivace - Con delicatezza | Franz Schubert, Andreas Staier, Alexander Melnikov | B Minor | 2 | 10A | 104 BPM | ||
Piano Quintet in E-Flat Major, Op. 44: I. Allegro brillante | Robert Schumann, Isabelle Faust, Anne-Katharina Schreiber, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov | B♭ Major | 1 | 6B | 123 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Vivace, capriccioso | György Ligeti, The Verona Quartet | D Major | 5 | 10B | 111 BPM | ||
Piano Quartet in E-Flat Major, Op. 47: IV. Finale (Vivace) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A Major | 0 | 11B | 88 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | ||
Suite No. 1, Op. 72: Canto primo. Sostenuto e largamente | Benjamin Britten, Jean-Guihen Queyras | G Major | 0 | 9B | 172 BPM | ||
Piano Trio No. 1 in B Minor, Op. 8: II. Scherzo. Allegro molto | Johannes Brahms, Trio Sōra | B Major | 1 | 1B | 52 BPM | ||
Quartet in F Minor, Op. 28: II. Adagio | Luise Adolpha Le Beau, Kaleidoscope Chamber Collective | D Major | 1 | 10B | 80 BPM |