"Suite No. 1, Op. 72: Canto primo. Sostenuto e largamente" by Benjamin Britten, Jean-Guihen Queyras was released on 1998. The duration of Suite No. 1, Op. 72: Canto primo. Sostenuto e largamente is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Suite No. 1, Op. 72: Canto primo. Sostenuto e largamente's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 23 in Britten: Suites for Cello Solo by Benjamin Britten, Jean-Guihen Queyras. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Suite No. 1, Op. 72: Canto primo. Sostenuto e largamente is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No. 1, Op. 72: Canto primo. Sostenuto e largamente by Benjamin Britten, Jean-Guihen Queyras is Vivace (lively and fast), since this song has a tempo of 172 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 4 in G, BWV 1049: 2. Andante | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 3, Moonlight | Benjamin Britten, André Previn, London Symphony Orchestra | G Minor | 1 | 6A | 117 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |