"Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 3, Moonlight" by Benjamin Britten, André Previn, London Symphony Orchestra was released on January 1, 1976. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 8 in Britten: Four Sea Interludes, Passacaglia from Peter Grimes & Sinfonia da Requiem by Benjamin Britten, André Previn, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 3, Moonlight is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 3, Moonlight by Benjamin Britten, André Previn, London Symphony Orchestra is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude à l'après-midi d'un faune, L.86 | Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Minor | 0 | 1A | 90 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Adoration of the Earth. Introduction. Lento | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | D Major | 0 | 10B | 89 BPM | ||
Piano Concerto No. 1 in F sharp minor, Op. 1: 1. Vivace | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | A Minor | 0 | 8A | 69 BPM | ||
Funeral Blues | Wystan Hugh Auden, Benjamin Britten, Sarah Walker, Roger Vignoles | C Minor | 1 | 5A | 63 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 5, Etude | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM |