"Candide / Act I: 15. Quartet Finale" by Leonard Bernstein, June Anderson, Christa Ludwig, Jerry Hadley, Kurt Ollmann, London Symphony Chorus, London Symphony Orchestra was released on January 1, 1991. The duration of Candide / Act I: 15. Quartet Finale is about 3 minutes long, at 3:24. Based on our data, "Candide / Act I: 15. Quartet Finale" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Candide / Act I: 15. Quartet Finale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candide / Act I: 15. Quartet Finale by Leonard Bernstein, June Anderson, Christa Ludwig, Jerry Hadley, Kurt Ollmann, London Symphony Chorus, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa di Gloria, Op.posth., Gloria: Quoniam tu solus Sanctus | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Major | 2 | 8B | 69 BPM | ||
On The Town: 2. New York, New York - Live | Leonard Bernstein, Thomas Hampson, Kurt Ollmann, David Garrison, London Symphony Orchestra, Michael Tilson Thomas | F Major | 3 | 7B | 109 BPM | ||
Mass / X. Credo: V. Trope: "I Believe in God" - Live | Leonard Bernstein, Pearl Sun, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, Westminster Symphonic Choir, Temple University Concert Choir | F Major | 1 | 7B | 91 BPM | ||
Mass / II. First Introit (Rondo): I. Prefatory Prayers - Live | Leonard Bernstein, Meredith Lustig, Julia Burrows, Morgan James, Douglas Butler, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, The American Boychoir, Temple University Diamond Marching Band, Student Musicians from the School District of Philadelphia | G Minor | 3 | 6A | 107 BPM | ||
War Requiem, Op. 66: xxii. Libera Me - Libera me | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, London Symphony Chorus, London Symphony Orchestra | C Minor | 2 | 5A | 86 BPM | ||
On The Town: 11. I Can Cook Too - Live | Leonard Bernstein, Tyne Daly, London Symphony Orchestra, Michael Tilson Thomas | C Major | 3 | 8B | 90 BPM | ||
War Requiem, Op. 66: xiii. Dies Irae - "Move him into the sun" | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, Ian Bostridge, London Symphony Chorus, London Symphony Orchestra | D Major | 0 | 10B | 87 BPM | ||
Pictures at an Exhibition: IX. The Hut on Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, New York Philharmonic, Leonard Bernstein | G Major | 1 | 9B | 89 BPM | ||
Puccini: La rondine, Act 3: "Figliuolo tu mi dici" (Ruggero, Magda) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM |