"Messa di Gloria, Op.posth., Gloria: Quoniam tu solus Sanctus" by Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano was released on 2001. With Messa di Gloria, Op.posth., Gloria: Quoniam tu solus Sanctus being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Puccini: Messa di Gloria". In this album, this song's track order is #7. Messa di Gloria, Op.posth., Gloria: Quoniam tu solus Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messa di Gloria, Op.posth., Gloria: Quoniam tu solus Sanctus by Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Joshua - For Chorus, Contralto, Bass and Orchestra - Remastered | Modest Mussorgsky, Claudio Abbado, London Symphony Orchestra | C Major | 0 | 8B | 107 BPM | ||
The Imperial March (Darth Vader's Theme) | John Williams, London Symphony Orchestra | G Minor | 4 | 6A | 103 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 3: Arrival of the Guests & Waltz | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A♭ Major | 1 | 4B | 91 BPM | ||
German Requiem, Op. 45: Herr, lehre doch mich | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
Requiem, Op. 89 B. 165: Graduale: Requiem aeternam (Soprano, Chorus) | Antonín Dvořák, Christiane Libor, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | G Minor | 2 | 6A | 176 BPM | ||
Daphne, Op. 82, TrV 272: "Ich komme, ich komme" | Richard Strauss, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | E♭ Major | 0 | 5B | 135 BPM | ||
Mass in C Major, Op. 86: IV. Sanctus | Ludwig van Beethoven, Sir Colin Davis, London Symphony Orchestra, London Symphony Chorus | B Minor | 1 | 10A | 137 BPM |