Carl Orff, Cleveland Orchestra, Michael Tilson Thomas's 'Carmina Burana: Fortune plango vulnera' came out on 1975. The duration of Carmina Burana: Fortune plango vulnera is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Carmina Burana: Fortune plango vulnera's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Carmina Burana: Fortune plango vulnera's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: Fortune plango vulnera by Carl Orff, Cleveland Orchestra, Michael Tilson Thomas having a テンポ of 134 with a half-time of 67 テンポ and a double-time of 268 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / 1. Primo vere: "Veris leta facies" | Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Minor | 2 | 7A | 135 BPM | ||
Dance With Me | Dario Marianelli | D Minor | 2 | 7A | 88 BPM | ||
Slavonic March, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev | B♭ Minor | 2 | 3A | 110 BPM | ||
Gothic Suite Op 25: Toccata | Léon Boëllmann, William McVicker | F Minor | 1 | 4A | 134 BPM | ||
Voices of Light: VIII. Sacrament - Voice | Richard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Steven Mercurio | F Major | 1 | 7B | 91 BPM | ||
Violin Sonata in G Minor, "The Devil's Trill" | Giuseppe Tartini, Franco Gulli, Claudio Abbado | G Minor | 2 | 6A | 104 BPM | ||
Iron Foundry (machine music), Op. 19 | Alexander Mosolov, Concertgebouworkest, Riccardo Chailly | F Minor | 7 | 4A | 117 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Symphonie Fantastique, Op. 14, V. Dream of a Witches' Sabbath | Hector Berlioz, Frankfurt Radio Symphony Orchestra, Eliahu Inbal | C Major | 1 | 8B | 120 BPM | ||
Davy Jones's Theme (From ''Pirates of the Caribbean'') | Grissini Project | D Minor | 3 | 7A | 86 BPM |