"Gothic Suite Op 25: Toccata" by Léon Boëllmann, William McVicker was released on 1997. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in William McVicker's "Great Organ Classics" album is number 9 out of 17. Based on our statistics, Gothic Suite Op 25: Toccata's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gothic Suite Op 25: Toccata by Léon Boëllmann, William McVicker to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preliudai (Preludes): Dainele: Grave | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
Mass No. 4: IV. Sortie | Pierre Cochereau | C Major | 6 | 8B | 111 BPM | ||
Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:a1: I. Grave | Georg Philipp Telemann, Hille Perl | A♭ Minor | 1 | 1A | 104 BPM | ||
Gotterdammerung (Twilight of the Gods): Prologue: Einleitung | Richard Wagner, Lance Ryan, Johannes Martin Kränzle, Jochen Schmeckenbecher, Gregory Frank, Susan Bullock, Anja Fidelia Ulrich, Claudia Mahnke, Meredith Arwady, Angel Blue, Britta Stallmeister, Jenny Carlstedt, Katharina Magiera, Frankfurt Opera Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | A♭ Major | 2 | 4B | 116 BPM | ||
Chaconne in C Minor, BuxWV 159 | Dietrich Buxtehude, Wolfgang Rübsam | C Minor | 1 | 5A | 67 BPM | ||
L' Ascension: Transports de joie d'une âme devant la gloire du Christ qui est la sienne | Olivier Messiaen, Stephen Cleobury | D♭ Major | 2 | 3B | 74 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Cello Concerto in D Minor, RV 407: I. Allegro | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | D Minor | 1 | 7A | 116 BPM | ||
Requiem, Op. 9 (1961 version): Kyrie | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | F Major | 2 | 7B | 85 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM |