George Frideric Handel, Jennifer Larmore, René Jacobs, Concerto Köln made "Giulio Cesare in Egitto, HWV 17, Atto I, Scena 3: "Empio, dirò"" available on December 1, 1991. With this song being about 5 minutes long, at 5:21, "Giulio Cesare in Egitto, HWV 17, Atto I, Scena 3: "Empio, dirò"" by George Frideric Handel, Jennifer Larmore, René Jacobs, Concerto Köln is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, René Jacobs, Bernarda Fink, Jennifer Larmore, Barbara Schlick, Marianne Rorholm, Concert Köln, Concerto Köln's "Handel: Giulio Cesare in Egitto" album is number 4 out of 45. In terms of popularity, Giulio Cesare in Egitto, HWV 17, Atto I, Scena 3: "Empio, dirò" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Giulio Cesare in Egitto, HWV 17, Atto I, Scena 3: "Empio, dirò" by George Frideric Handel, Jennifer Larmore, René Jacobs, Concerto Köln to be Moderato (at a moderate speed) because the track has a tempo of 119 テンポ, a half-time of 60テンポ, and a double-time of 238 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act 1: Overture | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | B Minor | 3 | 10A | 89 BPM | ||
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Symphony No.4 in D Minor, Op.12 No.4, G.506: 2. Andantino con moto I | Luigi Boccherini, Per Egland, Christian Lindberg, MIN Ensemble | C Minor | 1 | 5A | 97 BPM | ||
Oboe Concerto In D Minor: 1. Andante e spiccato | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 144 BPM |